Mythological Stories Around Ancient Indian Scriptures

Relevance of ancient Indian scriptures: From the abstract to the concrete

According to the Upanishad, abstractions can be understood only through the concrete. The senses and the mind come together and begin to understand that any form we see is, after all, divine.

So, continuing the Keno Upanishad—finally the Gods approached Indra, the King of the Gods. You see, Indra also represents the Indriyas—the five senses which are helpful to us in collecting wealth and power, is also called Maghavan. They asked him to find out who the great Being was; because Agni, the God of fire and Vayu, the God of air had failed to do so.

In the practical context of sadhana, Agni is the fire of meditation. It also means the digestive fire. Vayu is prana or breath, and Indra represents the five senses. Since Agni and Vayu, tried to find the Supreme Being and could not. They said—now, let the Lord of the senses, Indra, try it. Indra agreed.

As he reached there, the Yaksha disappeared. Why? It is that the senses cannot perceive that which is beyond the senses. The conditioned cannot perceive the unconditioned, right? So, therefore, Indra came back and said, “I do not know, he just disappeared.” Now, it should not be understood from the sloka that the senses are being belittled. They have their own uses. The Upanishad only says, sharpen the senses and not cut them out. When Indra, who represents the senses in their usual form, tried to understand the supreme being, he could not. The Being simply disappeared.

And, then what happened? The moment the Supreme Being disappeared, something extraordinary happened. What was that? A most beautiful and charming lady, the daughter of the Himalayas, appeared before Indra. Indra asked her, “Do you know who this being is?”

Now, this is very significant. The rishi brings us from the abstract to the concrete. Till now he was talking of abstractions, power of the senses. Now, we have a form coming down—the image of the daughter of the Himalayas, bahu sobhaman, very beautiful.

The Himalayas is the abode of the rishis. It is also the abode of Lord Shiva who resides in Kailash. So, here appears Uma, the daughter of the Himalayas. She comes to teach Indra, lord of the senses. Who comes? A beautiful lady, Uma—daughter of the Himalayas. This is all symbolic. The Upanishad is trying to say that abstractions can be understood only through the concrete. The senses and the mind come together and begin to understand that any form that you see is after all divine. Then, a beginning is made. Since the supreme formless entity cannot be understood directly, one has to start with the faculties one has. One cannot leap or jump because the mind cannot reach it directly.

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